Auditions

On Stage: Fall 2026

Much Ado About Nothing

by William Shakespeare

Audition Dates:

Monday, July 27 at 6:00 PM
Callbacks: Tuesday, July 28 @ 6:00 PM

@ Warehouse Theatre

1610 S. 24th Avenue

 

Directed by Jenny Brown

Produced by Keila Scott

This audition will use prepared monologue selections provided in advance for each role.

Cold readings may be used if necessary.  
16 cast members needed

* NOTE: Casting is for actors age 16 and over at the time of audition.*

PERFORMANCES September 18 - October 3  • 2026

Much Ado About Nothing follows two interwoven plots in Messina, Italy: young lovers Hero and Claudio's impending marriage, which is nearly ruined by the villainous Don John's plot to fake Hero's infidelity; and the "merry war" between confirmed bachelors Beatrice and Benedick, who are tricked by friends into falling in love, culminating in a double wedding and reconciliation after the deception is exposed by the bumbling Watch.

About the Audition

Auditions for Much Ado About Nothing will consist primarily of prepared monologue selections provided in advance.

Actors should review the provided materials and come prepared to demonstrate a strong understanding of the text, character, and language.

A link to audition sides and monologue options is available here:
Link to Audition Sides

Auditioners may prepare up to two different character selections. This is encouraged for those interested in multiple roles.

Cold readings may be used at the director’s discretion, but preparation is expected.

 

What to Expect

• Individual prepared monologue(s)
• Possible brief direction or adjustment
• Callbacks will consist of scene work and partner reads

 

Character Breakdown

Don Pedro – A Prince and soldier; confident, charismatic, any adult age

Leonato – Governor of Messina, Hero’s father; older, authoritative, warm

Antonio – Beatrice’s father; older than Leonato, a gentleman of Messina

Benedick – A soldier; 30s–50s; witty, sharp, proudly anti-marriage (until he isn’t); upper class (Must be willing to kiss on stage)

Beatrice – 30s–50s; intelligent, independent, quick-witted, equally anti-marriage (also until she isn’t); upper class (Must be willing to kiss on stage)

Claudio – A young soldier; 16–30; romantic, impressionable; upper class (Must be willing to kiss on stage)

Hero – 16–30; gentle, sincere, often underestimated; upper class (Must be willing to kiss on stage)

Margaret – Hero’s attendant; playful, bold, thinks herself clever; any age

Ursula – Hero’s attendant; grounded, observant; any age

Don John – Don Pedro’s brother; a soldier and prince; brooding, resentful antagonist

Borachio – Follower of Don John; opportunistic, morally flexible; any age

Conrade – Follower of Don John; self-serious, thinks highly of himself; any age

Dogberry – Constable; lower class; comically self-important, frequently misuses language; any age

Verges – Dogberry’s partner; slower, possibly more perceptive than he appears; any age

Sexton (Francis Seacoal) – Lower class; practical, steady; may be double cast

Messenger – Soldier; may be double cast

Watchmen (4) – Lower class; comic roles with distinct personalities; any age

Balthasar – A singer/musician; any age; may be double cast

Friar Francis – Thoughtful, grounded; any age; may be double cast

Ensemble – Musicians, servants, mourners, party guests, dancers; approximately 4–7 performers; any age

Additional Notes

• This production will feature a strong emphasis on language, clarity, and character-driven storytelling
• Actors should be comfortable working with Shakespearean text
• Movement, music, and ensemble work may be incorporated throughout the production

GENERAL AUDITION INFORMATION

Prior to auditioning for any show, please read the following documents regarding the Warehouse Theatre Company's policies and practices.

If cast, you will receive information specific to your show and you will be held accountable to these standards:

- WTC Cast Contract

- WTC Concern Resolution Pathway

- WTC Code of Conduct

- WTC Whistleblower Policy

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The Warehouse Theatre Company celebrates, supports, and thrives on the diversity of our community.

We encourage performers of all races, religions, national origins, genders, sexual orientations, gender identities, gender expressions, and ability levels to audition.